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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Using ArgyllCMS to measure grayscale step wedge targets - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Blog - Process, Abstraction, and the Edge of Disbelief</image:title>
      <image:caption>Garry Winogrand, Hollywood and Vine, Los Angeles,  1969</image:caption>
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      <image:title>Blog - Process, Abstraction, and the Edge of Disbelief</image:title>
      <image:caption>Lincoln County, Colorado, 1977 Robert Adams from the exhibition Landscapes of Harmony and Dissonance</image:caption>
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      <image:title>Blog - Process, Abstraction, and the Edge of Disbelief</image:title>
      <image:caption>Edge of San Timoteo, San Bernardino County, California Robert Adams from Los Angeles Spring</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/black-and-white-with-capture-one-pro-8-part-2-workflows</loc>
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    <lastmod>2017-07-12</lastmod>
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      <image:title>Blog - Black and White with Capture One Pro 8 - Part 2: Workflows</image:title>
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      <image:title>Blog - Black and White with Capture One Pro 8 - Part 2: Workflows</image:title>
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      <image:title>Blog - Black and White with Capture One Pro 8 - Part 2: Workflows</image:title>
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      <image:title>Blog - Black and White with Capture One Pro 8 - Part 2: Workflows</image:title>
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  <url>
    <loc>https://www.bwmastery.com/blog/2015/capture-one-pro-custom-workspaces</loc>
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    <lastmod>2017-10-28</lastmod>
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      <image:title>Blog - Black and White with Capture 1 Pro - Part 1: Custom Workspaces</image:title>
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      <image:title>Blog - Black and White with Capture 1 Pro - Part 1: Custom Workspaces</image:title>
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      <image:title>Blog - Black and White with Capture 1 Pro - Part 1: Custom Workspaces</image:title>
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      <image:title>Blog - Black and White with Capture 1 Pro - Part 1: Custom Workspaces</image:title>
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  <url>
    <loc>https://www.bwmastery.com/blog/2015/ilcc-part-3-outflanking-the-digital-print</loc>
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    <lastmod>2017-07-12</lastmod>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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    <image:image>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1439950582264-KXAVBRXNX66LB5AMRLL0/Screen+Shot+2015-08-18+at+4.07.55+PM.jpg</image:loc>
      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1439936519405-WXDANT3LY49WKI4NZ06O/image-asset.jpeg</image:loc>
      <image:title>Blog - ILCC Part 3: Outflanking the Digital Print</image:title>
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  <url>
    <loc>https://www.bwmastery.com/blog/2015/august-2015-exhibition-announcement</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438705681032-GJX69F6X3L9HFG1BGJVT/Richard+Boutwell-Owens+Valley%2C+2007</image:loc>
      <image:title>Blog - August 2015 Exhibition Announcement</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438703732443-45KCORQGY4JXBZ6N9SX3/White+Sands+National+Monument%2C+2015</image:loc>
      <image:title>Blog - August 2015 Exhibition Announcement</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438703414422-VRV39V5M99X7HSQG8ZBB/Richard+Boutwell-Algodones-Dunes_2001-8-F-with+C-Se+ICC+Color+.jpg</image:loc>
      <image:title>Blog - August 2015 Exhibition Announcement - Algodones Dunes, California, 2001</image:title>
      <image:caption>Algodones Dunes, California, 2001</image:caption>
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    <image:image>
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      <image:title>Blog - August 2015 Exhibition Announcement</image:title>
      <image:caption>Algodones Dunes, California, 2001</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/quadtonerip-correction-curve-tool</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237835141-C8S28XBDKOFJ91H111O8/QTR-Correction-Curve+Tool+1.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237835166-1QYRYGI12Z5F5LZ9V0PJ/QTR-Correction-Curve+Tool+2.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237834962-SEVITH8XBWYR539QOOCM/QTR-Correction-Curve+Tool+3.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237834578-JKAR9KW5YELBWUJAVYPP/QTR-Correction-Curve+Tool+4.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237834540-NSRDKNVLN0EAQW0ST9I3/QTR-Correction-Curve+Tool+5.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237834282-MQS6T2K7KBOZ5ESZVTU4/QTR-Correction-Curve+Tool+6.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237834274-4L4JMFAOKHHYK0DTGEML/QTR-Correction-Curve+Tool+7.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237523074-20UHWT7YQC7NSI8WFBN8/QTR-raw+profile+without+curve+or+linearization.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Base Raw Profile before linearization or correction curve</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237523038-I4HCHZDE4J09XY62IDL8/QTR-Base+Profile+with+21-step+correction+curve+tool.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Base Raw Profile with 21-step correction curve tool</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438237523180-15A6NP872YU3F7JU0ZB0/QTR-21-step+Linearization.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>QTR standard linearization from 21-step target</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438273049655-73AQNHNG2Y0NVS9GOUG4/Screen+Shot+2015-07-30+40-OL-GG1-Crv+tool.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool - 40 Overlap and gray gamma 1</image:title>
      <image:caption>Measurement file used to create Correction Curve and for the Standard QTR Linearization Comparison for the profile with an overlap of 40 and a Gray Gamma setting of 1</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438273049716-QMWEQVKJKYCYBURSIVTG/Screen+Shot+2015-07-30+40-OL-GG1%2C6-Crv+tool.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Measurement file used to create Correction Curve and for the Standard QTR Linearization Comparison for the profile with an overlap of 40 and a Gray Gamma setting of 1.6</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438273322572-QH6S5XNJZJY9BJYBTEJH/PAS-205-40-OL-GG1-linearization+failures.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Two profiles failed to linearize when running the install script—This is exactly the kind of problem I set out to solve with the Correction Curve template</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438273424284-0TM0OCK7GCCSZS70GHFF/PAS-205-post+Correction+Curve+Tool+to+fix+QTR+Linearization+errors.png</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Measurements of the two profiles that failed to linearize. These are measurements after using the correction curve template and with no additional linearization step.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438273656355-MPB8AJVQWVXPYNBS1JES/40-OL+GG1%2C6+Post+QTR-linearization+and+Correction+tool+21x4+measurements.png</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Comparing measurements from the result of the correction curve (green line) and QTR linearization (black line). No additional linearization step was done with profile using the correction curve (although it is still possible)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1438273656360-WB6UQCE4CSTMQYTAJHZU/No-OL+GG1+Post+QTR-linearization+and+Correction+tool+21x4+measurements.png</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile Part 3: QTR Correction Curve Tool</image:title>
      <image:caption>Another comparison of measurements from the result of the correction curve (green line) and QTR linearization (black line). No additional linearization step was done with profile using the correction curve (although it is still possible)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/a-new-i1-profiler-workflow-for-qtr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433779805881-NB5C4TJ61PGIAVRS0JQA/image-asset.jpeg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777242185-EDRD4C9O937LCHR1L0C7/image-asset.jpeg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777056008-XNL5TIJTJNWA3FZJE307/image-asset.jpeg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
      <image:caption>Drag workflow to this folder on Windows</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777415117-P0WLK5RJYHD5SDDKWUBF/i1Profiler+Workflow.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777415117-78QA23ML63BFDQSPC6TX/i1+Profiler+Load+Workflow.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777416113-JIBMTUG5SQVIY92P1GV7/Measure+and+Save+Data.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777416122-TIE94S4MIGPD8R6XHB6G/Measure+rows+4-6.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777417057-U2PQPOT6RZIGO0XF68KO/Measure+rows+7-9.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777422486-2BDYTCUAST9QKHG72WKB/Save+measurement+data.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777666771-H49AY1AZUP07RCVJZHQE/Save+As+Custom+CGATS+and+Location.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777666759-LCF4ONCVLCTP4YYEJF1P/Save+Data+Fields.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433777417101-JLQIXEPWC5TXHBR77BGA/Measurement+File+Example.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433776356784-5Y1R09NAFM55VNE6S8EN/BWMastery+51x3+Linearity+Checker+Template.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433776356635-BBZIJ6DZA7M72XRW7KK3/Open+Measurement+File.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
      <image:caption>Open Measurement file, Select All, Copy and Paste into Cell 1A of the Excel Template</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1433776357443-ZK0LKDG64Z4Y0HO6E0NL/Paste+into+cell+A1+in+template.jpg</image:loc>
      <image:title>Blog - A New i1 Profiler Workflow for the QuadToneRIP 51-step Grayscale Target</image:title>
      <image:caption>The linear template will lookup and display a graph of the averaged luminosity values.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/detail-enhancements-using-unsharp-mask-filters-and-layer-masking-techniques</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-05-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431804423337-IHEEC1GDKCTCXL9Z1RRC/image-asset.jpeg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Original Capture 1 Export. The mid-tones have a slightly blurred or flared look around the highlight areas. This first part of this workflows will remove the flare, and the second part will sharpen the mid-tone separation and fine detail.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431808943279-YUBKSJKM8RTT9Q2KVX4C/Unsharp+Mask+Settings+1.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Unsharp Mask Settings for the Reduce Halo layer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431808951532-2P85FSGHK60UZIOTK5YI/Apply+image+from+menu.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Load an opaque layer mask by alt/option clicking the new layer mask icon at the bottom of the layers panel. Choose Apply Image from the Image mene</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431808957637-TRWEL5QC16K5WFXSZIUY/Apply+image+settings.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Apply Image settings to create a luminosity mask based on the tones in the background layer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431809009680-S6RXO0Z8SVEAC4VHSBZY/Curves+adjustment+to+layer+mask.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>alt/option click the Reduce Halo Layer mask icon and then cntrl/cmnd+m for a curves adjustment on the layer mask. Increase the contrast of the mask, reducing the affect of the sharpening in the shadows and darker mid-tones</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431809004029-H7GG2K8WETBUV33Q1EFP/Edit+Layer+Mask+Settings.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Change the blend mode of the Reduce Halo layer to Darken and adjust the feathering and density of the mask to taste.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431811401619-B2AHEFBLZV0VADRI6CLA/Reduce+Halo+Final.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Result of the Reduce Halo adjustment with the luminosity layer mask.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431813130602-LRQZQH1MXRQ6NX9LA1IJ/Unsharp+Mask+Settings+part+2.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Unsharp Mask settings for the Detail layer Amount: ~30 Radius: ~30 Threshold: 0</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431812504482-A96IMC9FAT9V1MCCNI6J/Apply+image+from+menu-part+2.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Apply Image option from Menu Bar</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431812596621-LJNW3LAUZROKO7YG0V9V/Apply+image+settings-part+2.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Apply Image Settings Source Layer : Background  (you don't want to make the mask with the sharpened versions) Blend Mode: Normal Invert Check Box: Checked to create an inverted Luminosity mask</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431812620372-QYJC0WTRBDSEIKVFBY9S/Curves+adjustment+to+layer+mask-part+2+.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Alt/Option+Click the Layer mask icon and then Press ctrl/cmnd+m for the curves adjustment. Darken the extreme dark end of the curve (to mask the highlights in the image) Lighten the lighter end of the curve so more of the sharpening adjustment will be applied to the lower mid-tones and shadows of the positive image</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431812651010-YKHMNG7VWB0196BAC8OP/layer+mask+feathering-part+2+.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Feather the mask and adjust the Layer's opacity to dial in the sharpening adjustment</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431812484020-L65LH9CHTJUMDNXH8GN9/Original+and+Final+comparison.jpg</image:loc>
      <image:title>Blog - Detail Enhancements Using Unsharp Mask Filters and Layer Mask Techniques</image:title>
      <image:caption>Comparison between the original on the left and the result of both parts of the detail enhancement workflow.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/capture-1-pro-8-vs-adobe-camera-raw-with-the-leica-m-monochrome</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431798968235-DXLGQQ9N18OB4BHR10DL/Adobe+Camera+Raw+and+Capture+1+Pro+8+Detail+Comparison</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Adobe Camera Raw on left and Capture 1 Pro 8 on right at 100% pixel view</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431797514345-2KT1S9A92T0T5RDXDV3O/ADC-vs-C1-detail-100-percent-2.jpg</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Adobe Camera Raw on left and Capture 1 Pro 8 and the right. 100% pixel view with no additional sharpening in Photoshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431797815855-IEYFGTM08CJ2EIGSB7BY/ADC-vs-C1-detail-100-percent-3.jpg</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Adobe Camera Raw on left and Capture 1 Pro 8 and the right. 100% pixel view with no additional sharpening in Photoshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431797933569-UPQDJJLMY211T0M3VGZN/ADC-vs-C1-detail-66-percent-4.jpg</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Adobe Camera Raw on left and Capture 1 Pro 8 and the right. 66.67% pixel view with no additional sharpening in Photoshop.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431797516139-B21XXL0I40Y0STHV4AV8/LMM+Adobe+Camera+Raw+Settings.jpg</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Adobe Camera Raw development, clarity, and sharpening settings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431798473890-F0HZZTDLFW6WZK60J7X5/C1-Sharpening+Settings.jpg</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Capture 1 Pro 8 sharpness and detail settings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431798473894-4Z52FYVN8K04L5J84EF3/C1-Clarity+Settings.jpg</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Capture 1 Pro 8 development settings and loupe overview</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431797208418-6YU3BD6UBQRWNBJYEUM3/Washington+Oaks%2C+Florida%2C+2013</image:loc>
      <image:title>Blog - Capture 1 Pro 8 vs Adobe Camera Raw with the Leica M Monochrome</image:title>
      <image:caption>Washington Oaks, Florida 2013 Final edited version with warm-toned ink simulation</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/ilcc-part-2-introducing-the-curves-adjustment-layer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431469337774-WHC1X5KTS1D3ZZZXV08T/image-asset.jpeg</image:loc>
      <image:title>Blog - ILCC Part 2 — Introducing the Curves Adjustment Layer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431468029400-M82DREQCY6APS2UA68TL/Create+New+Curves+Layer.jpg</image:loc>
      <image:title>Blog - ILCC Part 2 — Introducing the Curves Adjustment Layer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431468031704-9JB57NY3S8PWL9UQTSLI/Scrubby+Slider+Icon.jpg</image:loc>
      <image:title>Blog - ILCC Part 2 — Introducing the Curves Adjustment Layer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431468029397-SX7I3LQ28D36FGYFM1G1/Drag+to+edit+curve.jpg</image:loc>
      <image:title>Blog - ILCC Part 2 — Introducing the Curves Adjustment Layer</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1431468030203-VA72R94KWIGRXHZAO4P8/Creat+and+edit+control+points.jpg</image:loc>
      <image:title>Blog - ILCC Part 2 — Introducing the Curves Adjustment Layer</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/in-search-of-the-perfect-qtr-profile</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426873716931-L1GT9J5QU1DTHTOM73UA/image-asset.jpeg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers</image:title>
      <image:caption>The Gradient on the right is a profile with incorrectly set cross over points, and no additional overlap. The gradient on the left has correctly set cross over points and 60% overlap.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426746984713-Z3ZP0M4GDD0OXA7D0Q6P/QTR-Gray-Overlap-Settings.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers - Ink Descriptor Overlap and Gamma Settings</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426745330216-J3P5TBXN41ZX0AAA60UT/Overlap-examples.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers - Default QTR Gray Overlap Setting vs Gray Overlap Setting of 75</image:title>
      <image:caption>The default setting can show problems with the cross over points and unavoidable banding in smooth gradients. The Increased overlap setting on the right fills in those defects and creates a smoother and richer print.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426745355519-VC9ZFWZ1NKCG2RH0NN2Z/Piezography-vs-QTR-profiles.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers - Piezography vs QTR Overlaps</image:title>
      <image:caption>The Piezography overlapping curves on the left have a much smoother and dramatically different shape than the overlaps created in QuadToneRip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426746061681-5JKEQE2OAZ3HYN6V9ZQP/QTR-GRAY-Gamma-Adjustment.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers</image:title>
      <image:caption>Gray Gamma set to 1 on the left will make a print that is far too dark. The profile on the right has a gamma setting of 1.8. This could have been set to 1.9-2.0 for an even straighter initial gray curve.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426747174126-YOKM2D4J16VJ9SI4LDSJ/Screenshot+2015-03-18+22.56.00.png</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers - QuadToneProfiler</image:title>
      <image:caption>Screenshot of the Cross Over Calculator Module, part of my QuadToneProfiler Excel Template for easily creating QTR profiles with up to six gray inks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426744589556-KFF980P0IXABCTDRQ371/Prelinearized-6-ink-profile.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers - Prelinearized-6-ink-profile</image:title>
      <image:caption>Graph of Lab_L measurements of an unlinearized profile using my profile creation method.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1426744589598-CB8GEWGB3ZIR9OAEVBS8/unlinearized-and-linearized-profiles.jpg</image:loc>
      <image:title>Blog - In Search of the Perfect QTR Profile with Multi-Gray Ink Printers</image:title>
      <image:caption>There is very little difference between the unlinearized profile on the left and the linearized profile on the right. The darker tones shifted a little toward the right to slightly open up the shadows. There was a subtle lightening of the 1/4 tones as well.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/my-day-job-retouching-for-reproduction</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-03-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1425834271473-UAXV3AS57TWJ0IJHGUVM/brett_hawaii_003_-final-edit-QT-sep.jpg</image:loc>
      <image:title>Blog - My Day Job—Retouching for Reproduction</image:title>
      <image:caption>Example of a quadtone separation with an approximation of the ink color and final contrast</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1425834451375-22QW8WYSRUSNGJHAKBOP/brett_hawaii_003-original-scan.jpg</image:loc>
      <image:title>Blog - My Day Job—Retouching for Reproduction - Brett Weston, Hawaii, Plate 3 - original scan</image:title>
      <image:caption>Brett Weston, Hawaii - Plate 3 - original scan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1425834451664-6EF9MA9G7UIAEI47M4WZ/brett_hawaii_003_Final-grey-edit.jpg</image:loc>
      <image:title>Blog - My Day Job—Retouching for Reproduction</image:title>
      <image:caption>Brett Weston, Hawaii - Plate 3 - Final retouched file</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1425834770992-E86R90TZ876J2XGVARL9/Brett+Weston%2C+Alaska+versions.png</image:loc>
      <image:title>Blog - My Day Job—Retouching for Reproduction - Brett Weston, Alaska - Before, Working, and Final Versions</image:title>
      <image:caption>The curved shape, a recurring motif in Brett's work, was completely obscured in the original scan, and needed to be brought out and balanced with the shapes of the highlights in all four quadrants of the picture.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1425834770634-H9JEIVYIY3K852VXWPOA/Brett+Weston+Alaska+Example+Mask.png</image:loc>
      <image:title>Blog - My Day Job—Retouching for Reproduction - Brett Weston Example Masks</image:title>
      <image:caption>An example of the subtle burning and dodging at work to bring out what was hidden in the original scan.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1425834771036-K6DS18C4G783VRZNCA0N/brett_alaska_006_final-edit-qt-sep.jpg</image:loc>
      <image:title>Blog - My Day Job—Retouching for Reproduction - Final quadtone separation using similar inks as to what will be printed in the final book</image:title>
      <image:caption>Notice now how the curved shape moves visual energy up through the center of the picture to the upper left, and how the light oval shapes on the left feel like they are bought forward and the dark over shapes on the right recede backward. This is the kind of abstraction that can make a photograph feel alive, and is why Brett was a major influence in my own personal photography.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/from-the-archives</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1424294598858-S7O05ZO9SBHZCEUBMZFC/trees-and-originality-Owens-Valley.jpeg</image:loc>
      <image:title>Blog - Trees and Originality — One From the Archives</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1424295005442-N0KWAG3RWN4ZUCSWDVJ3/image-asset.jpeg</image:loc>
      <image:title>Blog - Trees and Originality — One From the Archives</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/abw-vs-qtr</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422543693542-QPDZLM83MUYH0BUXC8R6/Boutwell_Versailles_01.jpg</image:loc>
      <image:title>Blog - Comparing Epson ABW and QuadTone RIP - Versailles, 2005</image:title>
      <image:caption>lower resolution jgeg of actual file used for printing</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422377513309-TZNJB8334RWIFXYNOONQ/9900-UCK3-QTR_test.jpg</image:loc>
      <image:title>Blog - Comparing Epson ABW and QuadTone RIP - Epson-9900-Custom-QTR</image:title>
      <image:caption>Print on Canson Photorag Platine made with an Epson 9900 with QuadToneRip—A custom blend of three profiles—50% warm, 40% Neutral, 10% Selenium</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422377513429-58TLQFD6BWO76D18KPQG/9900-UCK3-ABW_test.jpg</image:loc>
      <image:title>Blog - Comparing Epson ABW and QuadTone RIP - Epson-9900-ABW-Normal</image:title>
      <image:caption>Print on Canson Photorag Platine made with an Epson 9900 in ABW mode—normal density and neutral tone settings</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422377505509-7OH54N9OFTGRLO20CLD1/Epson+9900-ABW-vs-QTR.jpg</image:loc>
      <image:title>Blog - Comparing Epson ABW and QuadTone RIP</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2015/intuitive-localized-contrast-control-part-1-burning-and-dodging</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422139620235-2G0G702UQPW28ZFD5GIZ/image-asset.jpeg</image:loc>
      <image:title>Blog - Intuitive Localized Contrast Control: Part 1 — Burning and Dodging</image:title>
      <image:caption>Original Color Capture 1 Export</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422139782101-I4YH5F1HO2EEU36SZNTB/image-asset.png</image:loc>
      <image:title>Blog - Intuitive Localized Contrast Control: Part 1 — Burning and Dodging</image:title>
      <image:caption>Example Burn and Dodge Curves Layer Masks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1422139365806-PNA9T4FJAPMVIBLEWXX5/Boutwell-Philadelphia_DSC0152.jpg</image:loc>
      <image:title>Blog - Intuitive Localized Contrast Control: Part 1 — Burning and Dodging</image:title>
      <image:caption>Final Edited Black and White Conversion</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/comparing-cone-piezography-shade-1-and-mis-ebony-shade-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1418060563647-VZ9ONVPQCIGQFZR38MVL/CRP-MIS+Ebony+Shades+1+and+2.png</image:loc>
      <image:title>Blog - Comparing Cone Piezography Shade 1 and MIS Ebony Shade 1 - Canson Rag Photographique MIS-Ebony 100%</image:title>
      <image:caption>Canson Rag Photographique MIS-Ebony Shades 1 and 2 Ink Limit: 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1418060697790-J413XBQ7W4SJ5TRGM4W7/CRP-Cone+Selenium+Shades+1+and+2.png</image:loc>
      <image:title>Blog - Comparing Cone Piezography Shade 1 and MIS Ebony Shade 1 - Canson Rag Photographique Cone-Selenium 100%</image:title>
      <image:caption>Canson Rag Photographique Cone Selenium Shade 1 and 2 Ink Limit: 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1418060767520-3V8EURE5C3RA8GAVKY3D/CRP-MIS+Carbon+Shades+1+and+2+Set+ink+limit+density.png</image:loc>
      <image:title>Blog - Comparing Cone Piezography Shade 1 and MIS Ebony Shade 1 - Canson Rag Photographique MIS-Ebony</image:title>
      <image:caption>Canson Rag Photographique MIS-Ebony Shades 1 and 2 Ink Lmits set to specific D-max for each shade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1418060843109-KH4XGS5M1UUGICBFM28Z/CRP-Cone+Selenium+Shades+1+and+2+set+ink+limit+density.png</image:loc>
      <image:title>Blog - Comparing Cone Piezography Shade 1 and MIS Ebony Shade 1 - Canson Rag Photographique Cone Selenium</image:title>
      <image:caption>Canson Rag Photographique Cone Selenium Shades 1 and 2 Ink Lmits set to specific D-max for each shade</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1418060901736-4JKZ2YZ7VJAW877IFLV5/HPR-MIS+Ebony+Shades+1+and+2.png</image:loc>
      <image:title>Blog - Comparing Cone Piezography Shade 1 and MIS Ebony Shade 1 - Hahnemühle PhotoRag MIS Ebony</image:title>
      <image:caption>Hahnemühle PhotoRag MIS Ebony Shades 1 and 2 Ink Limit: 100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1418060901739-EQOWTJ5ILIPETFFELUDS/HPR-Cone+Selenium+Shades+1+and+2.png</image:loc>
      <image:title>Blog - Comparing Cone Piezography Shade 1 and MIS Ebony Shade 1 - Hahnemühle PhotoRag Cone Selenium</image:title>
      <image:caption>Hahnemühle PhotoRag Cone Selenium Shades 1 and 2 Ink Limit: 100</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/i1-profiler-and-qtr-stepwedges</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-12-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415902195170-MG9I4R29G4EQ0Z9WL5DW/Screen+shot+2014-11-13+at+1.09.01+PM.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Print stepwedge using QTR Print Tool or Adobe Printer Utility</image:title>
      <image:caption>Print the test chart with the profile to be linearized with no color management. Let it dry for 6-24 hours, depending on working environment.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901253341-F1ENFYMB7QOS11MGXV0V/i1+Profiler+Measure+Reference+Chart.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - i1 Profiler Measure Reference Chart</image:title>
      <image:caption>Launch i1 Profiler and select CMKY Printer in the Device Selection drop-down. Then launch the Measure Reference Chart workflow.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901253297-YEKCL4OT85KH1XAKJ7HL/i1+Profiler+Define+Measure+Chart.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Open Reference File</image:title>
      <image:caption>Open the i1-QTR-21x4-random.txt reference file</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901253160-I32QMXMK099S6LPC0KA9/Calibrate+Device.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Calibrate device</image:title>
      <image:caption>Calibrate device and select radio button to measure as single scan</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901252993-96C5YY8UQDIKOS3PPHES/Measurement+Complete.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Measure Chart</image:title>
      <image:caption>Measure strips 1-4 as indicated by the software</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901252993-OWNCCOGKSJC3NEBXKZZJ/Save+Measurement+Data+As+PM5+CIELAB.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Save Measurement Data</image:title>
      <image:caption>Save Measurement data as ProfileMaker5 CGATS CIELAB (.txt)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901252865-QVXI7YYI84826GYZ9EY1/Note+where+it+is+being+saved.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Note Save Location</image:title>
      <image:caption>It is a good idea to save the measurement data to an easy to remember and get to place. I prefer to keep all measurement data for different papers in separate folders so i can return to them later and compare if needed.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1415901252841-VHLMU2WIZS5A903FQMUQ/Drag+Measurement+data+file+to+QTR+Linearize+Data+Script+in+Dock.png</image:loc>
      <image:title>Blog - i1 Profiler and 21x4-random QTR Step Wedges - Run Linearize Data Script</image:title>
      <image:caption>Launch the QTR Linearize Data script and drag the measurement data to the icon in the dock.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/ray-k-metzker-modern-master</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412924235890-UFNQNTEACEFC1BHNLJZU/2005-27-1969_Metzker-FesteDiFoglieItaly_email.jpg</image:loc>
      <image:title>Blog - Ray K. Metzker, Modern Master  1931–2014</image:title>
      <image:caption>Ray K. Metzker, American (b. 1931). Feste di Foglie, Italy, 1985 © Ray K. Metzker, Courtesy of the Laurence Miller Gallery.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412923770989-CY6GUTT9KDN6SMI7W0CU/image-asset.jpeg</image:loc>
      <image:title>Blog - Ray K. Metzker, Modern Master  1931–2014</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412923833185-NYXJBD167X9R7KNOGD2L/image-asset.jpeg</image:loc>
      <image:title>Blog - Ray K. Metzker, Modern Master  1931–2014</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/quad-files-and-how-to-edit-them</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1499999214324-QX7SI507E9SBIJPZYPL8/QuadTone+RIP+profiling+tools</image:loc>
      <image:title>Blog - Easily Edit QuadTone Rip .quad Files</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412724724955-GLYI394YZQS5QFYUREQD/QuadTone+RIP+ink+shade+list.jpg</image:loc>
      <image:title>Blog - Easily Edit QuadTone Rip .quad Files</image:title>
      <image:caption>Quadtone Rip ink shade lists</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412725272124-S8EWJO466C3KP6510327/copy+and+paste+quad+curve+values</image:loc>
      <image:title>Blog - Easily Edit QuadTone Rip .quad Files</image:title>
      <image:caption>Curve values for Quadtone Rip workflow.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/workflows</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412870454564-ETHNBY0G0RBTO3RTCNN6/Disney+Hall+Construction%2C+Los+Angeles%2C+2001</image:loc>
      <image:title>Blog - Workflows</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412870562642-DPDR3GAA11B4OOU1LKXS/Film+Scan+Workflow</image:loc>
      <image:title>Blog - Workflows</image:title>
      <image:caption>Drum Scan, Invert and Correct in Photoshop, Optimize for Print or Web</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/photoshop-elements-updatemore-bad-pictures</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1412169636716-ZX3512564U4RBI98Y3JS/Screen+shot+2014-09-25+at+11.54.01+AM.png</image:loc>
      <image:title>Blog - Photoshop Elements Update=More Bad Pictures</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/7/31/the-soft-light-blend-mode-a-quick-and-easy-contrast-boost</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-10-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999796405-D85P4TSQQ6852EYRHVUT/Softlight-blend-mode-ex-1.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode - Greyscale-step ramp example</image:title>
      <image:caption>No adjustment</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999796071-ZFRZQBJB1HRC5AYADMID/Softlight-blend-mode-ex-3.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode - Greyscale-step ramp Soft Light example 1</image:title>
      <image:caption>Soft Light Blend Mode set to 0-100</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999796247-LHFR81OLKZ094VZZZ9SY/Softlight-blend-mode-ex-2.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode - Greyscale-step ramp Soft Light example 2</image:title>
      <image:caption>Soft Light Blend Mode set to 20-80</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999796001-4F4FABTA4YYB0QGVKOOQ/Softlight-blend-mode-ex-4.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode</image:title>
      <image:caption>Example with no adjustment</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999795469-7TBHYDHJ5AWY9NTBH1C5/Softlight-blend-mode-ex-6.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode</image:title>
      <image:caption>Example with Soft Light Blend mode set to 0-100 and 100% opacity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999795754-M4295Y6BNX8TG6YSCS5X/Softlight-blend-mode-ex-5.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode</image:title>
      <image:caption>Example with Soft Light Blend mode set to 20-80 and 100% opacity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999794889-17751JRUA2QFVZ7F17BT/Softlight-blend-mode-ex-8.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode</image:title>
      <image:caption>Example with Soft Light Blend mode set to 0-100 and 50% opacity</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1406999794788-YFUWB3EDDPBAGPOD6CBL/Softlight-blend-mode-ex-7.jpg</image:loc>
      <image:title>Blog - The Soft Light Blend Mode</image:title>
      <image:caption>Example with Soft Light Blend mode set to 20-80 and 50% opacity</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.bwmastery.com/blog/2014/6/10/capture-one-vs-lightroom</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2015-08-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1402543524203-JBGW4EVY9DVC1E8D1F8O/Woods-Fog-C1__DSC06132528515_silver-efex.jpg</image:loc>
      <image:title>Blog - Capture One, Silver Efex, and Photoshop</image:title>
      <image:caption>Final version with the Capture 1 export, Silver Efex B&amp;W conversion, and Photoshop contrast/burning and dodging controls.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1402545006615-ZB74FVXCPC8PQHSMIZ6D/image-asset.png</image:loc>
      <image:title>Blog - Capture One, Silver Efex, and Photoshop</image:title>
      <image:caption>Top: Capture 1 processing, color export and B&amp;W conversion with Silver Efex Bottom: Capture 1 processing and B&amp;W conversion</image:caption>
    </image:image>
    <image:image>
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      <image:caption>Left: Color Capture 1 export and Photoshop Black and White Adjustment Layer Conversion Right: Capture 1 Black and White Conversion and Export</image:caption>
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      <image:caption>Left: Color Capture 1 export and Silver Efex Pro Conversion Right: Capture 1 Black and White Conversion and Export</image:caption>
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      <image:title>Blog - Capture One, Silver Efex, and Photoshop</image:title>
      <image:caption>Left: Color Capture 1 export and Photoshop Black and White Adjustment Layer Conversion Right:Color Capture 1 export and Silver Efex Pro Conversion</image:caption>
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    <loc>https://www.bwmastery.com/blog/2014/6/4/great-prints-start-with-great-scans-part-1</loc>
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      <image:caption>Comparison of a negative scanned with an Epson 750 (wet-mounted) and a Screen 1045AI Drum Scanner at 4800 SPI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1401942048069-R42BTDN1OUP1G2DUDW3M/Epson-flatbed-vs-Drum-Scan.jpg</image:loc>
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      <image:caption>Comparison of a negative scanned with an Epson 750 (wet-mounted) and a Screen 1045AI Drum Scanner at 4800 SPI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1421937599914-8EH1C2KYPIRH88L6NQZM/Screen+shot+2014-03-27+at+7.16.53+PM.png</image:loc>
      <image:title>Blog - Great Prints Start With Great Scans, Part 1</image:title>
      <image:caption>Comparison of a negative scanned with an Epson 750 (wet-mounted) and a Screen 1045AI Drum Scanner at 4800 SPI</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1421937702101-HRUSMSQ129UTGB8NXYNY/image-asset.png</image:loc>
      <image:title>Blog - Great Prints Start With Great Scans, Part 1</image:title>
      <image:caption>Comparison of a negative scanned with an Epson 750 (wet-mounted) and a Screen 1045AI Drum Scanner at 4800 SPI</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5134cdb7e4b021358bcf4aee/1421937746511-LUQG765TR7I38LPQQ9NY/image-asset.png</image:loc>
      <image:title>Blog - Great Prints Start With Great Scans, Part 1</image:title>
      <image:caption>Comparison of a negative scanned with an Epson 750 (wet-mounted) and a Screen 1045AI Drum Scanner at 4800 SPI</image:caption>
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      <image:caption>Here is the scene as shot and cropped to a 1:2 aspect ratio.</image:caption>
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